Artists have long employed reflective surfaces in sculptures to create dynamic interactions between the artwork and its audience. By incorporating materials like polished metal, mirrored glass, or glossy finishes, they transform static pieces into ever-changing experiences. These surfaces invite viewers to become part of the artwork, as their reflections merge with the sculpture's form.

The use of reflection serves multiple artistic purposes. It breaks down the traditional barrier between observer and art, fostering a sense of participation. Some artists strategically position reflective elements to capture and distort the surrounding environment, encouraging viewers to consider their relationship with space. Others create fragmented reflections that require movement to fully appreciate, making the viewing process active rather than passive.

Contemporary artists like Anish Kapoor and Jeppe Hein have pushed this technique further, crafting large-scale installations where reflection becomes the primary medium. Their works demonstrate how reflective surfaces can alter perceptions of depth, scale, and reality itself. Through these innovative approaches, artists continue to find new ways to engage audiences, proving that reflection remains a powerful tool in sculptural practice.

This technique also prompts philosophical questions about identity and perception, as viewers literally see themselves within the artwork. The temporary nature of these reflections - changing with each new viewer and lighting condition - adds a temporal dimension to otherwise permanent sculptures. By engaging both visually and conceptually, reflective surfaces create multi-layered artistic experiences that resonate long after the initial encounter.