The Colonial era introduced porcelain sculptures to many regions, often reflecting European aesthetics and techniques, while indigenous ceramic traditions remained deeply rooted in local cultural practices. Colonial porcelain, typically mass-produced and ornate, emphasized symmetry and refined glazes, catering to elite tastes. In contrast, indigenous ceramics prioritized functional and symbolic designs, with hand-coiled or pit-fired methods preserving ancestral knowledge.

Colonial pieces often depicted religious or aristocratic themes, whereas indigenous works celebrated nature, mythology, and community identity. The fusion of these traditions occasionally occurred, creating hybrid styles, yet the contrast highlights broader cultural power dynamics. Today, both forms offer valuable insights into historical artistry and resilience, with indigenous ceramics increasingly recognized for their sustainable and spiritually significant craftsmanship.