Negative space, the unoccupied area surrounding and within a sculpture, plays a crucial role in porcelain art. Skilled ceramic artists strategically employ empty spaces to guide the viewer's eye, create visual tension, and emphasize form. In delicate porcelain works, these voids aren't mere absences but active elements that shape perception.

Master sculptors use negative space to achieve three key effects: First, it establishes rhythm, with alternating solids and voids creating movement. Second, it enhances fragility's illusion - the thinner the porcelain between spaces, the more breathtaking the piece appears. Third, it invites viewer participation, as minds instinctively complete interrupted forms.

Contemporary porcelain artists like Ying Tianqi take this further, crafting works where negative space dominates, challenging traditional solid-form aesthetics. Their pieces demonstrate how emptiness can hold as much meaning as the material itself, transforming porcelain sculpture into a dialogue between presence and absence.

The most successful compositions balance positive and negative space proportionally. Too little void creates visual heaviness; too much risks structural weakness. This delicate equilibrium makes negative space mastery one of porcelain sculpture's highest artistic achievements.