Artists masterfully employ negative space in porcelain sculptures to evoke a sense of lightness and ethereal quality. By strategically leaving areas unfilled, they create visual breathing room that makes solid elements appear weightless. This technique transforms dense ceramic material into seemingly floating forms, playing with viewers' perception of mass and gravity.

The interplay between positive and negative space establishes dynamic tension, where emptiness becomes as expressive as the sculpted form itself. Delicate porcelain limbs or petals gain fragility through surrounding voids, while clustered elements feel airier when punctuated by intentional gaps. This approach mirrors traditional East Asian aesthetics, where emptiness holds philosophical significance.

Contemporary ceramic artists often exaggerate negative space to challenge material expectations, crafting porcelain pieces that appear impossibly delicate. The technique also enhances light penetration, creating translucent effects that amplify the sculpture's luminous quality. Through this careful balance of presence and absence, porcelain transcends its physical weight to achieve poetic lightness.