Porcelain sculptures have found a unique niche in experimental music and sound art, where their delicate yet resonant properties are exploited to create captivating auditory experiences. One of the most notable examples is "The Singing Ringing Tree" by architects Mike Tonkin and Anna Liu, a wind-powered sound sculpture made of galvanized steel and porcelain pipes that produces haunting, ethereal tones.

Another groundbreaking work is "Ceramic Sound" by artist Zimoun, who uses porcelain bowls and mechanized components to generate rhythmic, percussive sounds. His installations often explore the intersection of fragility and repetition, creating mesmerizing soundscapes.

In the realm of performance art, composer Alvin Lucier incorporated porcelain objects in his piece *"Music for Solo Performer"* (1965), where brainwaves amplified through speakers caused porcelain vessels to vibrate, producing eerie, otherworldly sounds.

Japanese sound artist Akio Suzuki has also experimented with porcelain in his *"Analapos"* series, using ceramic tubes to create feedback loops and spatial acoustics. These works highlight how porcelain’s unique materiality can transform sound art into a tactile, immersive experience.

These examples demonstrate how porcelain sculptures transcend visual art, becoming dynamic instruments in experimental music and sound art. Their ability to produce unexpected, delicate sounds continues to inspire artists pushing the boundaries of auditory creativity.