Porcelain sculptures have become a striking medium in contemporary art biennales, blending traditional craftsmanship with avant-garde concepts. One of the most celebrated examples is Ai Weiwei's "Dropping a Han Dynasty Urn" (1995), which critiques cultural destruction through porcelain's fragility. At the Venice Biennale, Liu Jianhua's "Regular/Fragile" series (2013) reimagined everyday objects in porcelain, highlighting modernity's precariousness.

Another standout is Klara Kristalova's eerie porcelain figures at the 2017 Whitney Biennial, merging fairy-tale aesthetics with psychological depth. Meanwhile, Yeesookyung's "Translated Vase" series, exhibited at the Gwangju Biennale, transforms broken ceramics into gilded hybrids, symbolizing rebirth.

These works demonstrate porcelain's versatility, from political commentary to poetic abstraction, cementing its place in global contemporary art discourse. Artists continue to push boundaries, proving that this ancient material remains vital in modern artistic expression.