Porcelain sculptures in surrealist art are rare yet captivating, blending delicate craftsmanship with dreamlike absurdity. Among the most notable examples is Salvador Dalí's "Venus de Milo with Drawers" (1936), where the iconic Greek statue is reimagined with protruding drawers, symbolizing Freudian psychoanalysis. Another masterpiece is Max Ernst's "The King Playing with the Queen" (1944), a chess set featuring anthropomorphic porcelain figures that blur the line between game and grotesque fantasy.

Man Ray's "Impossible Object" (1933) also stands out, a porcelain piece defying gravity and logic. Meanwhile, Méret Oppenheim's "Object" (1936)—though primarily known for its fur-covered teacup—includes porcelain elements that challenge tactile expectations. These works exemplify surrealism's fascination with transforming mundane materials into unsettling, poetic visions.

Lesser-known but equally intriguing is Leonor Fini's "The Shepherdess of the Sphinxes" (1945), a porcelain figurine merging human and mythical forms. Together, these sculptures redefine porcelain's traditional elegance, infusing it with surrealism's subversive spirit.