The intersection of biotechnology and digital art has given rise to a fascinating genre of bronze sculptures that challenge traditional artistic boundaries. Among the most notable projects is "Xenogenesis" by artist Amy Karle, a 3D-printed bronze sculpture series exploring regenerative medicine and human augmentation. Another groundbreaking work is "Bio-Digital Hybrid" by Stelarc, featuring bronze casts of prosthetic limbs integrated with digital circuitry patterns.

The "Transfiguration" series by Robertina Šebjanič uses bronze to immortalize hybrid organic-digital forms, examining the relationship between natural and artificial life. Meanwhile, artist Eduardo Kac's "GFP Bunny" project includes bronze interpretations of his transgenic artwork, blending biological and digital concepts in a timeless medium.

Contemporary sculptor Tomás Saraceno has also contributed to this movement with his "Hybrid Webs" series, where bronze captures the intricate fusion of spider silk geometries and digital network structures. These projects collectively redefine bronze sculpture's role in the age of biotechnology, offering enduring physical manifestations of our evolving relationship with technology and biology.

What makes these works particularly remarkable is their ability to preserve cutting-edge bio-digital concepts in a medium associated with antiquity, creating a powerful dialogue between past and future artistic expressions. The patina of time on these bronze pieces adds yet another layer of meaning to their exploration of organic and technological hybridization.