Artists employ modularity in porcelain sculpture installations to achieve both aesthetic flexibility and structural adaptability, tailoring their work to unique environments. By breaking designs into repeatable or interchangeable ceramic components, creators can respond to spatial constraints, cultural contexts, and architectural features of specific sites.

The process begins with designing standardized porcelain units – often slip-cast or hand-built – that maintain visual coherence while allowing infinite configurations. These modules might include geometric tiles, organic forms, or kinetic elements that interact differently when arranged in varied patterns. Artists like Clare Twomey and Edmund de Waal demonstrate how such systems enable sculptures to "grow" organically within exhibition spaces.

Site-specificity emerges through deliberate material choices (local clays or glazes), scale adjustments based on sightlines, and module arrangements that echo architectural rhythms. Some installations incorporate audience interaction, where visitors rearrange pieces to transform the artwork dynamically.

This methodology combines porcelain's timeless elegance with contemporary conceptual rigor, creating installations that feel simultaneously intentional and ephemeral – firmly rooted in their location yet capable of reinterpretation elsewhere through modular recombination. The resulting works often explore themes of fragility, repetition, and human connection to place through ceramic form.