Porcelain, often associated with delicate tableware, has been transformed into a powerful medium in conceptual and performance art. Artists worldwide have pushed the boundaries of this fragile material to create thought-provoking works that challenge perceptions and evoke deep emotional responses.

One of the most striking examples is Ai Weiwei's "Dropping a Han Dynasty Urn" (1995), where the artist shattered a 2,000-year-old porcelain urn in a performance piece. This act questioned the value of cultural artifacts and the destruction of history.

In conceptual art, Edmund de Waal's "The Hare with Amber Eyes" series uses porcelain to explore themes of memory and displacement. His minimalist installations of porcelain vessels create a silent yet profound narrative about identity and loss.

Performance artist Serena Korda's "The Ladle" (2013) involved a giant porcelain ladle used in a communal ritual, blending sculpture with participatory performance. This work highlighted porcelain's role in cultural traditions while reimagining it in a contemporary context.

More recently, contemporary artist Klara Kristalova creates eerie porcelain sculptures that blur the line between human and animal forms. Her works in performance settings create unsettling tableaux that explore psychological states.

These examples demonstrate how porcelain, when removed from its utilitarian context, becomes a versatile medium for artistic expression. The contrast between its fragile nature and the bold concepts it conveys makes porcelain particularly compelling in avant-garde art practices. Artists continue to discover new ways to employ this ancient material in groundbreaking performances and installations that speak to modern concerns.