The porcelain sculptures from Dresden, particularly those produced in the nearby Meissen workshops, stand as exquisite embodiments of Baroque and Rococo aesthetics. During the 18th century, these delicate artworks mirrored the dramatic theatricality of Baroque art through their dynamic compositions and gilded ornamentation, while simultaneously embracing the playful asymmetry and naturalistic motifs characteristic of Rococo design.

Baroque influences manifest in the sculptures' grandeur – cherubs with dramatic poses, religious figures with flowing drapery, and tableaus featuring intense emotional expressions. The use of bold gold accents and intricate relief work echoes the opulence favored by Baroque patrons. Notably, Augustus the Strong's commissioned pieces often incorporated mythological themes with sweeping movement, a hallmark of Baroque storytelling.

Rococo elements emerged through delicate floral garlands, pastel color palettes, and whimsical pastoral scenes. Meissen artists mastered the "deutsche Blumen" (German flowers) technique, painting botanically accurate blooms with Rococo's lighthearted charm. The famous "Swan Service" exemplifies this blend, where Baroque-scale tableware meets Rococo's shell motifs and playful aquatic themes.

What makes Dresden porcelain unique is its technical innovation supporting artistic expression. The development of hard-paste porcelain allowed for finer sculptural details – cascading lace collars in figurines mirrored Baroque textile obsession, while Rococo's love of nature materialized in meticulously modeled birds and foliage. These sculptures weren't merely decorative; they served as three-dimensional canvases documenting 18th-century artistic evolution, where Baroque's divine drama gradually softened into Rococo's earthly delights.