Porcelain sculptures have played a significant role in both ritual and aesthetic contexts throughout history, yet their purposes and characteristics differ markedly. Ritual porcelain sculptures, often found in religious or ceremonial settings, were crafted with symbolic meaning and functional use in mind. These pieces frequently depict deities, ancestral figures, or sacred animals, and their designs adhere to strict traditional conventions. The glazes and colors used in ritual sculptures typically carry specific spiritual meanings, such as cobalt blue representing heaven in Ming dynasty altar pieces.

In contrast, aesthetic porcelain sculptures prioritize artistic expression and visual appeal. Created primarily for decoration and personal enjoyment, these works showcase technical mastery and innovative designs. Artists working on aesthetic pieces often experiment with forms, glazes, and subject matter, pushing the boundaries of porcelain as an artistic medium. While some aesthetic sculptures may reference cultural themes, their primary function is to delight the senses rather than serve spiritual purposes.

The production techniques also vary between these two types. Ritual sculptures maintain consistent, time-honored methods to preserve their sacred authenticity, while aesthetic pieces frequently incorporate contemporary approaches. This distinction reflects in their market value and preservation - ritual sculptures gain worth from their cultural authenticity, whereas aesthetic pieces appreciate based on artistic merit and creator reputation. Understanding these differences provides deeper insight into China's rich ceramic heritage and the evolving role of porcelain in society.