Porcelain sculptures have long been celebrated for their delicate beauty and intricate craftsmanship, and their presence in film and media adds a layer of artistic depth to visual storytelling. One of the most notable examples is the porcelain figurine collection in *The Grand Budapest Hotel* (2014), where Wes Anderson's signature aesthetic highlights these fragile artworks as symbols of nostalgia and elegance. Another unforgettable instance is the broken porcelain doll in *Black Swan* (2010), which mirrors the protagonist's psychological unraveling.

In *Blade Runner 2049* (2017), a porcelain statue of a nude woman serves as a haunting reminder of humanity's blurred lines with artificiality. Similarly, the animated film *Coraline* (2009) features eerie porcelain dolls that embody the uncanny valley effect, enhancing the story's unsettling tone.

Beyond cinema, porcelain sculptures have also made waves in television, such as the delicate Ming vase in *Sherlock* (2010), whose destruction becomes a pivotal plot point. These examples demonstrate how porcelain art transcends mere decoration, becoming a narrative device that enriches visual media with cultural and emotional resonance.