Porcelain sculptures have long been celebrated for their delicate beauty and intricate craftsmanship, but their role in interdisciplinary art projects has expanded their significance in contemporary art. One striking example is Ai Weiwei's "Sunflower Seeds," a massive installation featuring millions of hand-painted porcelain seeds at Tate Modern. This work merges ceramic art with social commentary, questioning mass production and individuality.

Another remarkable project is Clare Twomey's "Consciousness/Conscience," where porcelain fragments were scattered across a gallery floor, inviting viewers to reflect on fragility and memory. Similarly, Edmund de Waal's "The Library of Exile" combines porcelain vessels with poetry and history, creating a poignant dialogue between material and narrative.

In the realm of performance art, Simone Leigh's "Brick House" blends porcelain with architecture and African diaspora themes, showcasing the material's versatility. These examples highlight how porcelain sculptures transcend traditional boundaries, becoming powerful mediums for interdisciplinary exploration in art.