Porcelain sculptures are often surrounded by myths and misunderstandings regarding their cultural origins. One of the most pervasive misconceptions is that porcelain art originated exclusively in China. While China is undeniably the birthplace of high-fired porcelain, other cultures, such as those in Korea and Japan, also developed sophisticated porcelain traditions independently or through cultural exchange.

Another common fallacy is that all porcelain sculptures are purely decorative. In reality, many were created for functional or ceremonial purposes, such as religious icons or burial artifacts. The delicate blue-and-white designs often associated with porcelain are also mistakenly thought to be solely Chinese; however, Persian and Middle Eastern influences played a significant role in their development.

Additionally, some believe that porcelain sculptures were always luxury items reserved for the elite. While many were indeed prized by royalty, mass-produced porcelain items were also widely used by common people in daily life. By debunking these misconceptions, we gain a deeper appreciation for the rich, multicultural history of porcelain art.